Objectivist and Constructivist Music Therapy Research in Oncology and Palliative Care: An Overview and Reflection

Autores/as

  • Clare O'Callaghan PhD, RMT

DOI:

https://doi.org/10.47513/mmd.v1i1.279

Resumen

Objectivist and constructivist music therapy research in oncology and palliative care since 1983 is detailed, and the meaningfulness of evidence gathered is consid- ered. Objectivist approaches are informed by positivism and commonly use experimental, hypothetically driven methodologies incorporating researcher-designed measures. Constructivist approaches are informed by varied theoretical frameworks (e.g., postmodernism, phenomenology) and commonly aim to understand participants’ subjective experiences. Methodologies include grounded theory, ethnography, and discourse analysis. Both research approaches have uncovered varied and evolutionary understandings about how music therapy can help people deal with loss and main- tain life quality when affected by life-threatening and end-stage illnesses. Furthermore, constructivism and palliative care are compatible in that both focus on understanding individualized and multiple interpreta- tions of experience. It is contended that objectivist and constructivist research will never be able to capture an absolute ‘‘truth’’ about music therapy’s effectiveness; however, findings from both approaches can be con- ceptually generalized to comparable clinical contexts.

Biografía del autor/a

Clare O'Callaghan, PhD, RMT

Clare O’Callaghan, PhD, RMT, is a music therapist (on leave) at the Peter MacCallum Cancer Centre and St. Vincent’s Health and a clinical associate professor in the Department of Medicine and an Honorary Fellow in the Faculty of Music, at The University of Melbourne, Australia. She is currently a National Health and Medical Research Council of Australia Post Doctoral Fellow in Palliative Care (2008-2009).

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