An Introduction to MER, a New Music Psychotherapy Approach for PTSD: Part 2—The Outcomes and Case Examples

Authors

  • Tian Gao MMT

DOI:

https://doi.org/10.47513/mmd.v5i2.209

Abstract

From 2005 to 2010, I used music entrainment and reprocessing (MER) for 56 clients with posttraumatic stress disorder (PTSD), and worked with 93 traumatic events or disturbed experiences. Among these 56 clients, 46 experienced a single trauma and 10 of them experienced 2 or more traumas. The treatment to these clients varied in the number of sessions taken: 43 (46.7%) of them in 1 session; 17 (18.5%) in 2 sessions; 10 (10.9%) in 3 sessions; 4 (4.3%) in 4 sessions; 3 (2.2%) in 5 sessions; 13 (14.9%) did not complete the treatment had markedly low scores in the Subjective Units of Disturbance (SUD) scale. The criterion for ‘‘treatment completed’’ is that the SUD score reaches between 0 and 2, and the client state that they have recovered and do not need any more treatment. A small percentage of the clients decided that they would like to stop at an SUD score of 1 or 2 instead of 0, and continued to carry some degree of sorrow for mourning their deceased love ones. These were also considered successful treatment experiences.

Author Biography

Tian Gao, MMT

Tian Gao, MMT, received his master’s degree in music therapy train- ing and graduated from Temple University, Philadelphia, in 1994. He is a professor and the director of music therapy at the Central Conser- vatory of Music in Beijing, China.

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